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Salvers can be round, oval or rectangular. They only become trays when they have handles. The centers can be decorated with flat-chasing (1735-1755); with bright-cut engraving (1790-1810); completely plain or later decorated.slvr14tn.jpg (8821 bytes)

There are a variety of borders found on Salvers ranging from a pie crust border, a shell border, a shell and scroll border, a Chippendale border, a gadroon border, a bead-edge border, to name a few. The shape can vary from square to square with in-curve corners to trefoil to round. Salvers can have very elaborate cast, applied borders and can also have cast, applied feet or be flat bottom.

 

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Dish Cross by BALL TOMPKINS & BLACK
New York City, c.1840

14” long; 3 ¼” to top of the support; 16 ozs. 10 dwts.
A Dish Cross with crossed arms that swivel on a central, circular pivot; the center with a removable pierced grill. The plate rests are movable to accommodate various sizes of plates with pierced shell supports and matching feet. Marked “BT&B” on the bottom of one arm and “N.YORK” on the bottom of another arm.

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Circular Salver by JOHN HUTSON
London, 1795
14” diameter; 40 ozs.
Circular Salver with a reeded edge on 4 cast, applied reeded, French feet. The center engraved with the contemporary crest of a chained bear*. Fully marked on the base.

*see “Fairbairn’s Crests of the Families of GREAT BRITAIN and IRELAND” by James Fairbairn, Cassel, Petter & Galpin, Ludgate Hill, London and Broadway, New York, Volume II, Plate 61, Crest 5.

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Snuffer Tray by REBECCA EMES & EDWARD BARNARD
London, 1808
10 ¼” long; 4 ¼” wide; 6 ozs.
Regency Style Snuffer Tray with cast, leaf and shell capped handles and a cast applied rim. A contemporary crest is in the center of the Tray. Fully marked on the base.

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Salver by ABRAHAM CARLILE
Philadelphia, c.1780

6” diameter; 6 ozs.
Circular Salver with an applied, beaded edge on three cast, applied hoof feet. Contemporary foliate initials “AW” on the face and marked “A.CARLILE” in script twice on the back.


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Snuffer Tray by ANDREW E. WARNER
Baltimore, c.1815

9 ½” long; 4 ozs.
Oval, Federal style Snuffer Tray with an applied, reeded edge. A contemporary crest engraved on the front. Marked “A.E.WARNER” and “11” on the base.

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Set of 12 Plates with 5 matching, nesting Platters by MATTHEW BOULTON
Birmingham, c.1800

Plates 10 ¾” diameter
Platters 12 ½” x 9 ½”
14 7/8” x 10 7/8”
17 ¼” x 12 ¾”
19” x 13 ¾”
21” x 15 ¼”
Set of 12 Silver Plated Dishes with 5 matching Silver Plated Meat Platters each with shaped and gadrooned borders. Marked with the “star” on the under side of each rim.

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Pair of Salvers by HUGH MILLS
London, 1751

12 ¼” diameter; 62 ozs. 19 dwts.
Pair of circular Salvers with cast Chippendale borders of shells and scrolls on 3 cast scroll feet. The Salvers chased with a band of flowers and scrolls on a matted background, the centers engraved with a coat-of-arms probably for “The Dixon Family”, the motto “QUOD DIXI DIXI” translates to “WHAT I HAVE SAID, I HAVE SAID”. Fully marked on the base.


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Pr. Dessert Stands by JOHN S. HUNT
London, 1853
10 ¾” tall; 7 3/8” diameter at rim; 6 ¾” diameter at base; 92 ozs.
Pair of cast Dessert Stands with vines, leaves and grapes entwining the base, forming the feet and then rising up to form the support for cut crystal dishes. Large cast Cherubs are on each base; the first, a soldier wearing a helmet and holding a spear in one hand and a shield in the other, with a sword on the ground at his side. The second, playing a lyre. Contemporary Coats-of-Arms in cast cartouches at the base of each. Marked for JOHN S. HUNT, London, 1853 on the base of each, on the cast cartouches of each as well as on the Spear and the Sword. Further marked “Hunt & Roskell” “Late Storr & Mortimer”, incised, on the bottom edge of each base.   

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Pair of Salvers by LEWIS FUETER
New York City, c.1770
6 ¾” diameter; 16 ozs. 10 dwts.
Pair of circular Salvers with gadrooned borders, each on three cast, applied shell feet. The centers each engraved with a Coat-of-Arms, crest and motto. Marked on the back of each.

Literature: The Darling Foundation of New York State Early American Silversmiths and Silver, New YorkState Silversmiths, 1964, illus. P 84

Note: The arms are those of BUTLER-DANVERS impaling Fremantle for George John Danvers (1794-1866). He married Frances Arabella, daughter of Col. Stephen Francis William Freemantle in 1815.

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Inkwell and Stand by EDWARD C. MOORE for TIFFANY & CO.
New York City, c.1865

5” tall; 10 ¼” long; 27 ozs.
Cast cherubs holding the Inkwell which has a cast finial of the marks of Comedy & Tragedy on the hinged lid. The cherubs are on a stand with 4 cast geometric feet and cast Egyptian mask head handles. Marked “Tiffany & Co.” “English Sterling 925 – 1000” “550 Broadway” with the script“M”twice all on thebase.

Note: See “Tiffany Silver” by Charles H. Carpenter, Jr. with Mary Grace Carpenter, page 125, Figure 183 for a similar Inkwell.

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Ink Stand by SIMON PANTIN II
London, c.1730
10” long x 6 ½” wide; 30 ozs.
The Arms are those of “HOWARD” later to become the “Earl of Wicklow”

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